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![]() ![]() You see people get into this industry when they’re young. By the time you realize you’re not immortal, you’re very used to the experience. ![]() I was never afraid of heights, especially at 19 years old. JM: “My first day on the job, I worked at 9 West 57th Street, which is a 52-story building. Most of the people who end up getting seen are the ones who leave their windows open in Manhattan.” It’s a common occurrence that people are getting out of the shower or doing what couples do. Then, on the second pass, he didn’t move the spotlights, and the guy jumped up and was alarmed and running around the apartment like the DEA was about to break into his apartment. He had spotlights and, on the first pass, he moved the spotlights. On one of the floors, he noticed there was a couple on the bed. RH: “One I could share is about a guy we had working at night in a bucket truck. That’s always interesting to me.”ĪD: Are there stories of memorable experiences that you can share? The city’s constantly changing and growing and evolving. When you’re out there, you definitely get to appreciate the views as well as some of the architecture and history of the buildings. But I know guys who have been higher than that, to 50 or 60 floors. Once you learn the safe way to approach what you’re doing, you start to trust what you’re doing because of who taught you how to do it. RH: “I had a good mentor between my father-in-law and the guys with 25 or 30 years of experience that I could learn from. There have been some slight times that the scaffold and the ropes have been caught but, no, I’ve never really been afraid.” How many feet was that? North of 1,300 feet? I’ve always been very comfortable. I’ve been on the scaffold above the Occupy Wall Street demonstrations. There’s a respect and appreciation for that. These guys are working with a partner and it’s somebody they trust. I think these are people who have that personality and they enjoy it. They have a job, a task, to complete and they know what they have to do. I think most people appreciate the isolation on the scaffold. It’s quiet and still and I’ve always enjoyed that. I always enjoy cleaning windows and being on top of the buildings when it’s quiet in the early morning. I’m in charge of the scaffold, so I’m the one that says the men are trained and the scaffold is safe.”īF: “I was never afraid of heights. I believe I got my rigger license from the DOB in 2004 that the window cleaners work under. It’s been a family business, where, basically, the window cleaners have come through family members and friends and whatnot. John brought Joey into the business and Joey brought me into the business. John McDermott was a window cleaner and he was friends with my older brother, Joey. AD: What was your introduction to the window-cleaning business?īF: “I was 23 years old when I started in 1994. ![]() ![]() ![]() Aside from using the universal blue color, financial services companies seem to have taken a liking to particular flavors of logo design. According to an article by the website 99cents, financial logos usually appear with the following themes: Creativity in logo design takes the cake. It does not always have to be about cold and hard numbers. Today, companies are getting more creative with their branding strategies. The challenge is to craft a brand logo that is as widely recognized and memorable as the barbershop pole but holds a company-specific message. The use of logos in trade and commerce has evolved since then. The white band in between represents bandages. The blue part was the vein or the deoxygenated blood inside. The red color reminds people of bloodletting. The decree that outlawed such a display gave birth to the downward-spiraling poles. ![]() They would display blood to catch the passers-by’s attention. According to History, they also performed bloodletting and surgical procedures. During that time, barbers did not just cut hair. Using icons and symbols such as that to represent your business, goods, and services dates back to the Middle Ages. Somehow, people just seem to have an unspoken understanding that the pole stands for barbershops. One of the ubiquitous symbols most of us may have encountered is the blue, red, and white stripes on the poles in almost every barbershop. The businesses refined the concept of branding in a struggle to be different and recognizable. ![]() Companies wanted to be memorable that consumers only need to look for the brand’s unique logo design among a sea of competition. It was most probably a combination of the developments in printing and opportunities to build businesses that took the logo usage to the center stage. The symbol also differentiates the shops from competitors. Merchants have long been using icons to signify what they are selling. In whichever case, the people associated the previously meaningless icons with the respective companies. Twitter used a blue bird denoting the users’ way of posting called tweeting. Facebook’s logo is a small blue letter f, which is it’s initial. Companies like Facebook and Twitter show two ways of doing this. The goal is for the image to be able to stand as a representation of the business in the public’s eyes. The key to logo design is encapsulating all that the company stands for in a simple vector.Ī logo should represent the branding and identity of the company without the need to spell out its name. For an industry that manages the finances of the world, the financial services sector should radiate an ambiance of trustworthiness, stability, and integrity. When you are in the finance industry, these are the values you have to work towards. People would not trust their hard-earned cash on institutions they knew are shaky from the start. This balance sheet should be very helpful in keeping church financial records.Well-designed company logos make the company appear legitimate and trustworthy. Obviously churches need a specific kind of balance and record keeping instrument. Download the Church Balance Sheet Temple that has been created especially to assist churches remain financially balance. ![]() ![]() ![]() ![]() It’s simply an unfunny, sophomoric drag full of toilet humor and every stereotype imaginable. It is not quite deranged enough to make for great midnight movie fare. It’s not particularly funny (save for every time Johnson is sporting gaudy CGI fairy wings, which is undeniably very very good). Tooth Fairy isn’t even properly So Bad It’s Good like The Room. Ashley Judd? Relegated to the role of The Girlfriend despite deserving so much more. British character actor and Fighting With my Family director Stephen Merchant? He’s a supporting lead. It cannot be undone, it cannot be erased. Julie Andrews and Billy Crystal have starred in two of the greatest movies of all time ( The Sound of Music and When Harry Met Sally) and also Tooth Fairy. What IS surprising is that this movie is full of other actors who for sure should have known better. Tooth Fairy was left in the dust where it belonged. A year later, he starred in Fast Five, kicking off a decade of dominance we’re still experiencing today. It was a decision Johnson quickly backtracked on after this film’s release. His management at the time had been pushing him to slim down and take fewer action roles to diversify his portfolio. He was fresh off of a number of family-fare duds, including The Game Plan and Planet 51, both of which are bad, and if you’re capable of expelling their existence from your memory, your life will be easier. Here’s the thing: this isn’t the MOST shocking turn for Johnson at the time. To atone for his sins, this big ol’ lunky hockey player must serve two weeks as a tooth fairy, a job for which he is predictably unprepared. You must love Derek because Derek is the man who will be driving this story, all 101 minutes of it.Īnyways, you can probably guess where this is going: Derek is then whisked away to the land of Tooth Fairies, as one so often is. This man, the one who beats the teeth out of the mouths of his opponents and steals a dollar from a child? This is your protagonist. What kind of person does that? Derek “The Tooth Fairy” Thompson, that’s who does that. It is a very mean thing to do! It’s impressively mean. Perhaps the single meanest thing he does in this movie, which also serves as the inciting incident of the film, is steal a dollar from beneath the pillow of his girlfriend’s six-year-old daughter and tell her that the Tooth Fairy does not exist. It’s earned him the nickname “The Tooth Fairy” (NOTE: This is the name of the movie). It is about a hockey player played by Dwayne Johnson, who is very mean and likes to hit people while he plays hockey, often knocking their teeth out as he does it. Tooth Fairy is a family film that was released in January 2010. (Three, three times he has seen it, and three times has felt compelled to call his mother and ask why she brought him into such a cold, unforgiving world in which a film like this might be produced.) As such, he feels uniquely suited to expound upon its particularly unique brand of awfulness. This writer, a certified Rock Expert (or geologist, if you will) quite literally wrote the book on The Rock, and as such feels safe in saying he has seen Tooth Fairy more than any other moviegoer this decade. With more eyes soon to be on it than ever, it feels like the right time to revisit this cinematic monstrosity. Tooth Fairy will, against all odds, receive something of a resurgence later this year with the launch of Disney+, a titanic streaming service that will now be its permanent home. The greatest trick Dwayne “The Rock” Johnson ever pulled was convincing the world that Tooth Fairy doesn’t exist. Those efforts reached their nadir in 2010, with the release of a film largely lost in the sands of time. It is a relic of a bygone era, an era in which Dwayne Johnson existed in the place Dwayne “The Rock” Johnson does today, an era in which Dwayne Johnson was making an effort to reach beyond his usual action-movie leading man status and branch out into family films. He is oh-so-very charming, pretty good at acting, and even better at pretend-punching bad dudes while saying things like “Daddy’s gotta go to work.” What could ever have stopped him from being as widely beloved as he is today?Īctually, there is very much something that might have stopped him from being as beloved as he is today. Everybody knows who The Rock is and more or less everybody loves The Rock. ![]() He is very famous - astonishingly famous, even. Dwayne “The Rock” Johnson has made many good movies, many movies that made great sums of money, and some movies that are both good and made great sums of money. ![]() ![]() ![]() Ahmed received his third British Independent Film Award nomination for Best Actor. In 2012, he starred as one of the leading roles in the London-based film Ill Manors, directed by Plan B. ![]() Ahmed also had a supporting role in Neil Marshall's historical thriller Centurion. 2010s Ĭontinuing his film career, he featured in the 2009 Sally Potter production of Rage and in 2010, in Chris Morris' satire on terrorism, Four Lions, for which he received his second British Independent Film Award nomination for Best Actor. He was nominated for Best Actor at the 2008 British Independent Film Awards. Ahmed plays a charismatic young drug dealer in the film which sees a life in the day of this character. He featured in the title role of the 2009 independent film Shifty, directed by Eran Creevy. In July 2009, he appeared in Freefall alongside Sarah Harding. Also that year he played a primary school teacher in Staffroom Monologues for the specialist channel Teachers TV. Ahmed then portrayed Riq in the five-part horror thriller Dead Set for E4 and Manesh Kunzru in ITV1's Wired in 2008. In 2007, he portrayed Sohail Waheed in the Channel 4 drama, Britz. Ahmed alleged that during questioning, police asked him whether he had become an actor to further the Islamic cause, questioned him on his views of the Iraq War, verbally abused him, and denied him access to a telephone. He and another actor involved in the film were detained at Luton Airport upon their return from the Berlin Film Festival where the film won a Silver Bear Award. Acting career 2000s Īhmed's film career began in the 2006 Michael Winterbottom film The Road to Guantánamo, in which he played the part of Shafiq Rasul, a member of the Tipton Three. He later studied acting at the Royal Central School of Speech and Drama. Instead, Ahmed organised parties to celebrate cultures which did not conform to the dominant "elitist, white" and " black-tie" culture of Oxford. ![]() He experienced a culture shock at Oxford, nearly dropping out due to the isolating atmosphere. He graduated from Christ Church, Oxford University, with a degree in Philosophy, Politics and Economics (PPE). Īhmed attended Merchant Taylors' School, Northwood, through a scholarship programme. Ahmed's father is a shipping broker, and he is a descendant of Shah Muhammad Sulaiman, the first Muslim Chief Justice of the Allahabad High Court during British colonial rule in India. His parents moved to England from Karachi, Pakistan, during the 1970s. His second studio album, The Long Goodbye was accompanied by a short film of the same name, which won him the Academy Award for Best Live Action Short Film.Īs an activist, Ahmed is known for his political rap music, has been involved in raising awareness and funds for Rohingya and Syrian refugee children, and has advocated representation at the House of Commons.Īhmed was born on 1 December 1982 in Wembley, a suburb in the London Borough of Brent, to a British-Pakistani family of Muhajir background. He produced, co-wrote, and starred in Mogul Mowgli (2020), which earned a nomination for the BAFTA Award for Outstanding British Film.Īs a rapper, Ahmed is a member of the Swet Shop Boys, and has earned critical acclaim with the hip hop albums Microscope and Cashmere, and commercial success featuring in the Billboard 200 chart topping Hamilton Mixtape, with his song " Immigrants (We Get the Job Done)" winning an MTV Video Music Award. The latter earned him a nomination for the Academy Award for Best Actor. He went on to play Carlton Drake in the superhero film Venom (2018) and a drummer who loses his hearing in the drama film Sound of Metal (2019). He received another Emmy nomination in the same year for his guest role in Girls. For starring as a young man accused of murder in the HBO miniseries The Night Of (2016), Ahmed won the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series, becoming the first Muslim and South Asian male to win an acting Emmy. He had his break-out role in Nightcrawler (2014), which led to roles in the 2016 big-budget films Jason Bourne and Rogue One. Īfter studying acting at the Royal Central School of Speech and Drama, Ahmed began his acting career with independent films such as The Road to Guantanamo (2006), Shifty (2008), Four Lions (2010), Trishna (2011), and The Reluctant Fundamentalist (2012). In 2017, he was named in the Time 100 listing of the most influential people in the world. He has received several awards, including an Academy Award and a Primetime Emmy Award with nominations for two Golden Globe Awards and two British Academy Film Awards. Rizwan "Riz" Ahmed ( Urdu pronunciation: born ( )1 December 1982) is a British actor and rapper. ![]() ![]() But there is certainly much enjoyment to be found in Anderson’s amazing visuals, like those of his near-namesake, Roy Andersson. ![]() How does the New Yorker feel about the implication that it’s an offbeat thing of the past? I can’t imagine. ![]() But in fact there is a strange wash of melancholy by the closing credits, as the magazine closes and we are semi-seriously invited to feel sad at the end of a non-existent publication. Maybe those are Anderson’s watchwords as well – unsentimentality and deliberation. Mr Howitzer can be a stern taskmaster – he fires a copy boy simply for presuming to tell him the print deadline is approaching – but he has only two maxims: no crying and try to make it seem you wrote it that way on purpose. And, of course, the repertory cast includes many other big names in cameo. Photograph: 2020 Twentieth Century Fox Film CorporationĪnd Jeffrey Wright gives a wonderfully poised performance as food writer Roebuck Wright – like James Baldwin, a gay man of colour – who recounts in a television interview (a framing device accorded to no one else) his attempt to interview the special police chief Lieutenant Nescafier (Stephen Park), whose job is to provide special food for les flics, and Roebuck’s subsequent eyewitness account of the kidnapping of the son of the commissaire (Mathieu Amalric). Frances McDormand is Lucinda Krementz, a writer who does a deep-dive into Ennui-Sur-Blasé’s roiling student revolutionary scene, and winds up having an affair with its Che-ish young leader Zeffirelli (Timothée Chalamet)īenicio Del Toro, centre, with Léa Seydoux in The French Dispatch. ![]() Tilda Swinton is art critic JKL Berensen, who tells the story of the convicted murderer Moses Rosenthaler (Benicio Del Toro) for whom prison guard Simone (Léa Seydoux) acts as nude model and muse. The proprietor and editor is the diffident, avuncular yet authoritative Arthur Howitzer Jr, played by Bill Murray, a figure clearly based on Harold Ross – but also, perhaps, the late Robert B Silvers of the New York Review of Books. The movie is a kind of short story anthology, taking place in a postmodern Clochemerle, based on the long-read reportage performances of its superstar writers, who almost all have some personal, and indeed sexual, involvement with what is going on, quite against dull ideas about journalistic neutrality. The French Dispatch itself is supposed to be a special feuilleton-type supplement in a fictional Kansas newspaper, a guide to the intellectual life of France produced in the magazine’s late 60s heyday by a gallery of brilliant American expatriates in the imagined provincial French town of Ennui-Sur-Blasé – although that name is the one moment where the comedy gets a little too broad. ![]() The French Dispatch is a riff on and tribute to the New Yorker magazine, with its legendary roster of writers, famed insistence on standards, collegiate office culture, distinctive cartoons and typographic layout, metropolitan sophistication targeted at a general American readership – in fact, I wonder why we haven’t noticed the New Yorker as an Anderson influence before now. It might not be at the very zenith of what he can achieve but for sheer moment-by-moment pleasure, and for laughs, this is a treat. To which I can only say … sure, yes, more fun, more buoyancy, more elegance, more marvellously eccentric invention, more originality. His new film, The French Dispatch, long delayed by Covid, has on the strength of the extensively picked-apart trailer, been condemned as more of the same. And with this over-familiarity has come a bit of a backlash – a feeling that Wes Anderson is a tiresome undergraduate taste. No one is more spoofed than Wes Anderson: his savant mannerisms, sonorous voiceovers and detailed rectilinear compositions are now so familiar that certain quarters of YouTube have become overrun with Anderson pasticheurs, like Elvis impersonators in Vegas. ![]() ![]() ![]() 10 Best Assisted Living Facilities in Brandon, FL - Cost & Financing The Bridges is a Brandon assisted living facility It includes listings senior living communities and retirement community. Brandon Retirement community, Senior assisted Living Brandon. 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Home » Health Tips » Brandon Assisted Livingīrandon assisted living. ![]() ![]() These are a set of semi-satirical observations formulated by a defense industry procurement executive in the 1980s that predict that by 2054 the Air Force and Navy will only be able to afford a single aircraft between them.īut that $32m price tag means that the Reaper could not be bought in large numbers. Military aircraft are notorious for following Augustine’s Laws. Increased performance always has a disproportionate effect on cost, and continual upgrades mean continual price hikes. The price inflation from $4m to $7m to 14m to the current $32m is no great surprise. The Reaper is twice as fast as the original and carries five times the payload, making it more like a traditional Air Force plane…though it has less endurance than the Predator’s 40 hours which was arguably the rationale for a drone loitering above enemy territory. ![]() Things changed when the Predator was replaced by Predator B. Their expendability, going places too risky for manned aircraft, made drones useful. It barely merited a paragraph in the newspapers. When an unmanned Predator was lost, the Air Force simply bombed the wreckage to prevent the enemy gaining intelligence, and wheeled out the next replacement. When pilot Scott O’Grady was shot down over Bosnia in 1995, a huge rescue mission was mounted with full media coverage. At least five were lost in Balkans campaign in the ‘90s, either to mechanical failure or Serbian missiles, but this was considered good value for the intelligence they gathered. This original Predator was designed in the 90’s as a low-cost sensor platforms, with a simple airframe and repurposed engine – the Rotax powering the Predator was also used for snowmobiles – and cost around $4m each. The Reaper or Predator-B, is an upgrade of the original MQ-1B Predator which was retired in 2018 by the USAF. It is a lot for what is, at heart, supposed to be an expendable drone. That makes them even more expensive than the pricey, top-end AH-64E Apache attack helicopter. ![]() In 2008 they were $14 million apiece, but the Air Force’s latest budget figures shows each new Reaper costs $32 million. Iranian Quds Force General Soleimani was killed by a Reaper strike in January, showing they are employed against the very highest-value targets. The Reaper carries a suite of sophisticated sensors for a close-up view from 10,000 feet, and a mix of Hellfire missiles and laser- and GPS-guided bomb to attack targets. Launched from air bases close in the theater of operations, it can cruise for 27 hours, flown remotely from Nevada by relays of pilots. The Reaper is the mainstay of the Air Force’s drone force. ![]() ![]() ![]() Kirara can take over Zhongli or Baizhu in Quicken teams as a support, and can provide backup as a Dendro enabler. These Kirara teams prioritize triggering Hyperbloom reactions with her as a Support, with her both providing protection and Dendro application for your party members.ĭendro Element and Reactions Guide Kirara Aggravate/Spread Teams Support You will need some Elemental Mastery on Kirara as she can trigger cores as well. Xingqiu's swords ring that surround the active character can also apply Hydro when Kirara touches enemies, but Xingqiu will need Elemental Mastery as he will most likely be the one triggering the Bloom Cores. ![]() In Nilou Bloom team comps, Kirara can effectively minimize Bloom DMG taken with her shields as a Support, and she can also act as the driver to apply Dendro with her Hold Elemental Skill as a Sub-DPS. Kirara Best Team Comps Kirara in Bloom Teams Support The Leaf of Consciousness' effect cannot stack. This effect can still be triggered if the character is not on the field. Only 1 Leaf can be generated this way every 20s. When picked up, the Leaf will grant the character 60 Elemental Mastery for 12s. Skill Effect: After triggering Burning, Quicken, Aggravate, Spread, Bloom, Hyperbloom, or Burgeon, a Leaf of Consciousness will be created around the character for a maximum of 10s. Skill Effect: Dealing Elemental DMG increases all DMG by 6% for 6s. Can only occur once every 12s.īest Free-to-Play Weapon for Kirara Sub-DPS Free-to-Play Weapon Weapon Skill Effect: CRIT Hits have a 60% chance to generate a small amount of Elemental Particles, which will regenerate 6 Energy for the character. Skill Effect: After damaging an opponent with an Elemental Skill, the skill has a 40% chance to end its own CD. When this effect gains 3 stacks, or when the third stack's duration is refreshed, the Elemental Mastery of all nearby party members will be increased by 0.2% of the equipping character's max HP for 20s. This effect increases the equipping character's Elemental Mastery by 0.12% of their Max HP. When an Elemental Skill hits opponents, you gain the Grand Hymn effect for 20s. List of Artifacts and Set Bonuses Kirara Best Weapons Kirara Weapon Rankings This effect cannot stack.Ĥ-PC: Upon triggering an Elemental Reaction, increases all party members' Elemental Mastery by 120 for 8s. This effect can be triggered even if the equipping character is not on the field.Ĥ-PC: Using an Elemental Burst increases all party members' ATK by 20% for 12s. Kirara Best Artifacts Kirara Artifact RankingsĤ-PC: After Elemental Skills or Bursts hit opponents, the targets' Dendro RES will be decreased by 30% for 8s. Therefore, her skill should be prioritized above anything else, followed by her Burst which can be used for setting up Dendro reactions. Kirara's main talent priority is her Elemental Skill, as her shields and Elemental applications are mostly situated in this ability. ![]() While keeping her HP up for shield reinforcement, giving her Energy Recharge should allow Kirara to constantly burst on cooldown. This alternative Kirara build is well balanced between providing ample protection, dealing DMG, and setting up Dendro Reactions for the other party members. ![]() Energy Recharge, HP%, CRIT Rate, CRIT DMG, Elemental Mastery ![]() ![]() Los niveles de diversidad fueron comparables a un subconjunto de muestras tomadas de los fundadores de la población cautiva ( n = 11). Basados en diez loci micro-satelitales, los niveles de diversidad genética (i.e., riqueza alélica y heterocigosidad) permanecieron estables a lo largo del periodo de tiempo muestreado, sin indicación de consanguinidad. Para evaluar la reintroducción y recuperación de la especie, aplicamos un enfoque de seguimiento genético usando muestras de polluelos ( n = 267) provenientes de un total de 108 nidos en 2004–2005 y 2012–2016. Un total de 927 individuos fueron liberados en 23 lugares a lo largo de la costa sur de Texas entre 1985 y 2004, y en 2012 y 2013. La población amenazada de Falco femoralis septentrionalis en el sur de Texas fue reestablecida y suplementada con individuos criados en cautividad originados a partir de 27 progenitores fundadores recolectados en el este de México (San Luis Potosí, Veracruz, Tabasco y Chiapas). Mediante la cuantificación de los niveles de diversidad genética y del tamaño poblacional efectivo ( N e) a lo largo del tiempo, los gestores pueden estimar hasta qué grado se necesitan esfuerzos adicionales para aumentar la probabilidad de persistencia de la población. En esto casos, el seguimiento posterior a la liberación es esencial para evaluar y dirigir la gestión de la conservación y maximizar el éxito de la recuperación. Las reintroducciones son una herramienta importante en conservación para preservar y mejorar la biodiversidad y prevenir la extinción de especies. Continued monitoring across multiple generations is advisable to assess the population's ability to persist.ĭiversidad Genética Temporal y Tamaño Poblacional Efectivo de la Población Reintroducida de Falco femoralis en la Costa Sur de Texas To what degree overlapping generations and the release of additional Aplomado Falcons during the sampled time period limited our assessment of the South Texas population is not fully known. ![]() Similarly, individuals from the South Texas population showed strong admixture with the founding population, and levels of both N e and of effective breeding ( N b) showed no signs of decline over the sampled time period. Diversity levels were comparable to a subset of samples collected from the captive population founders ( n = 11). Based on ten microsatellite loci, levels of genetic diversity (i.e., allelic richness and heterozygosity) remained stable over the sampled time period, with no indication of inbreeding. To assess the species' reintroduction and recovery, we applied a genetic monitoring approach using sampled nestlings ( n = 267) from a total of 108 nests in 2004–20–2016. ![]() A total of 927 Aplomado Falcons were released at 23 locations along the southern coast of Texas between 19, and in 20. The endangered Northern Aplomado Falcon ( Falco femoralis septentrionalis) population in South Texas was reestablished and supplemented with captive-bred individuals originating from 27 founders collected in eastern Mexico (San Luis Potosí, Veracruz, Tabasco, and Chiapas). By quantifying genetic diversity levels and effective population size ( N e) over time, managers can gauge to what degree additional efforts are needed to increase the likelihood of population persistence. Reintroductions are an important tool in conservation for preserving and enhancing biodiversity and preventing extinction, and post-release monitoring is essential to evaluate and inform conservation management and maximize recovery success. ![]() |
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